Posts Tagged ‘e’

Backstreet Boys Are Back – Alright!

August 20th, 2009
by Patrick Daniels

When the Backstreet Boys hit the scene in 1993 they were just another American boy band. Lou Pearlman had already created several boy bands and wanted to create another, so he set out in search of the perfect group. After auditioning many, the group he came up with was called the Backstreet Boys and consisted of Howie Dorough, AJ McLean, Nick Carter, Kevin Richardson, and Brian Littrell. The band consisted of these 5 members until 2006 when Kevin Richardson decided to leave the group to start a family. Band members still wont rule out a comeback for the singer.

The Backstreet Boys (or should we say men) have a new album called This Is Us, which is set for European release on October 5th on RCA Records and for release in the US on October 6th on Jive Records. Said to be perhaps their best album ever this their seventh studio album and their second since losing band member Kevin Richardson, who is on a hiatus to begin a family shows great promise.

The Backstreet Boys have decided to take this album back to where they once were. They want to regain the momentum they had with hits such as “I Want It That Way” and “All I Have to Give”; therefore they have once again teamed up with producer Max Martin, who was the mastermind behind the latter of the two hits.

In addition to collaborating with Max Martin, The Backstreet Boys also recruited help from Red One, producer/songwriter. Red One was able to assist Lady Gag with her hit singles “Poker Face” and “Just Dance”, so The Backstreet Boys wanted the same success. Therefore Red One worked with the band and produced the albums lead track, “Straight Through My Heart”.

Although The Backstreet Boys have had many failed attempts at solo careers and albums, it is said that “This Is Us” is the album that will put them back on the charts again. With thirteen hits in the top 40 and over 100 million albums sold during their career, it appears that they are due for another hit sometime soon.

About the Author:
BACKSTREET BOYS This Is Us, is promising to be the biggest come back album for this all boy (men) band. To pre purchase you copy of the new Backstreet Boys cd visit www.cdwow.com.

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Free Music Online Tips

August 6th, 2009
by Susan Reynolds

A lot of people look for free music download programs to get limitless free MP3 downloads online. But the truth is that a few file share software could be putting you, your computer, and your online privacy at risk. And if that’s not bad enough, using a file sharing program could also get you in serious trouble with the RIAA or the MPAA. It’s no secret that the RIAA has been actively seeking out music file sharers that criminally download or file share copy-righted music online. And recently, the MPAA has started their own campaign to sue file sharers that download and file share movies illegally as well.

Besides possible RIAA and MPAA copy-right infringement lawsuit risks, there is more to be concerned about. In using file share software to get free MP3 downloads online, there are a range of hidden dangers you need to be aware of.

1) Adware ? Often, adware has been installed in the file sharing program. Large media companies use this adware to help generate revenue from a product that is supposed to be free. If this adware has been installed into the download program that you are using, it can cause problems with your computer. Often this adware consists of large banner ads that will take up a lot of room on your computer and cause problems with operation.

Spyware- Free music download programs often come installed with Spyware. Spyware, as the name suggests, gathers information about what websites you visit. It can also perform actions without your knowledge, such as changing files and system settings. Spyware if often an inevitable part of using free music downloads, so consider the problems this could cause to your computer before using these programs.

3) Spoofing ? You can become a victim of spoofing when you are in the process of downloading a song. Instead of receiving the song you think you are getting, you may get a corrupt music file instead. If you receive a 20 to 30 second music loop that plays over and over for a period of three to four minutes, you are probably a victim of spoofing. There is talk that the RIAA might be using this spoofing tactic to stop people from using illegal downloads.

Pornography- Pornographers will often disguise their software as free music downloads or even as free games to entice you to click on the link. When you click on one of these files, you are directed to a porn site. This can be a very serious issue for those who have children that are using file sharing programs.

Free Music Download Programs Summary: Is it safe using free music download programs online? The truth is that controversy, dangers and risks continue to enclose the use of file share software programs. And the possible RIAA and MPAA copy-right violation claim risks are very real. So it’s critical to learn all you can about a file sharing program before using it. Some warning and common sense goes a long way when looking to download free music online. And, you can even find a good selection of free legal music download programs that give you 100% free legal music

About the Author:
Susan Reynolds is a content coordinator a a website that lets you  Download Music for Free Portal. For more information visit: http://www.sharepanel.com/

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Guitar Lessons Beginners Will Love

August 4th, 2009
by Derrick Vanago

Are you a newbie at the guitar and looking for quality lessons online? are you hoping to find guitar lessons beginners like you can pick up on fast? Finding a good program is not difficult if you know what to look for.

Guitar lessons online has quickly become quite a topic nowadays. A common problem with this is that many of these programs tend to be overly technical causing a lot of sincere beginners to lose heart quickly. A courses that stresses simplicity and having fun learning the basics is crucial.

Tons of people are making their way to the internet and learning to master all kinds of instruments because of the affordability and freedom with online instruction. Online guitar lessons is just very convenient.

What should be the major point to consider when looking for your online guitar lessons? The main thing needs to be that the program you choose is going to teach you in an easy and fun way so you will “enjoy” the learning process.

Your beginners guitar course should be simple and fun so that you will enjoy practicing, therefore, learning more and learning faster. Your guitar course should begin with having fun while teaching you the basics. This is the point where one develop the groundwork for the basic principles of guitar.

Once you have a good foundation in the basics you can then move on to the more technical aspects of the guitar. If you are having fun while learning the better you will feel and if you are feeling good then the more you will want to practice and move ahead. Not long after this you will be playing in your own band.

Think for a second, how many individuals do you know who like doing something that makes them feel inadequate or incompetent? A good online guitar program should produce a sense of confidence in you as you progress.

There are so many programs out there with so much knowledge that it can cause you to have an “information overload” and lose interest quickly. Try to research and choose a program that can “teach” you, in a fun and easy style, the knowledge you need to become an accomplished guitarist.

About the Author:
Learning guitar online doesn’t need to be like pulling teeth. Come and found out which guitar lessons beginners prefer the most. Grab a totally unique version of this article from the Uber Article Directory

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Thumper Jones

July 31st, 2009
by James G. Pynn

If you know, then you know. If you don’t know, then you should. George Jones was one of the hardest drinking, fastest living son of a guns in all of country music history. Admittedly living a life modeled after his hero, Hank Williams, George Jones blazed a trail of infamy and heartache across the wide-open plains of country music history. Known for his distinctive voice and loose phrasing style, the exploits of George Jones have passed from mere stories into legend.

According to Country Music Television, Jones is the “the greatest living country singer” today. In true George Jones style, I’m sure hed say something to the effect, “it’s the living part that’s tricky.” His clever turn of phrases and unusual vocal style can best be sampled on such legendary hits as “White Lightin’” and “If the Drinkin’ Don’t Kill Me.” Then again, all of his songs carry that signature sound.

Jones was famously (or infamously) married to Tammy Wynette. This marriage made in madness was the stuff of legend, often requiring the services of the local sheriff to help them mediate. Of course that’s a fancy word for “cool off.” Between his drinking problem and her drug addiction, it was not the high point of marital bliss for either one of them, When it all came crashing down in 1975, no one was surprised.

Now in his seventies, George Jones has not stopped recording or touring. Indeed, he is on tour this summer and is coming to a local gin joint near you. Though there might no be as much pep in his step, his voice is as rich and full as ever. No one can turn a song like The Possum. For those of you not in the know, that’s his nickname.

Booking your George Jones tickets is as easy as pie. You just have to follow the links to the best little booking service around. Don’t wait until the last minute and fall prey to the scalpers. Get a great ticket at a fair price and sleep well at night. But do it quick, because the Possum is not on tour for long.

About the Author:
Don’t stop loving George today. Rather, reserve your George Jones tickets online now. The man and the myth is on tour, so be sure to book your tickets as soon as possible.

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Frank Sinatra And Nelson Riddle: How It Happened

July 21st, 2009
by Scott Lovejoy

Frank Sinatra is now known as the greatest popular singer in history and canonized as ‘The Chairman of the Board’. That wasn’t always the case, however. It’s easy to forget that there was a period of time when he was just another aging teen idol trying to stay relevant in the music business. He also had personal problems that are famous–particularly his tempestuous romance with actress Ava Gardner–as well as damaged vocal chords. There was a point after his ‘bobbysoxer’ success that he was in bad shape financially and professionally.

To make matters worse, the impresarios at Columbia Records were abusing his talent in an effort to revive his album sales. His pairing with producer Mitch Miller was particularly disastrous. The nadir of this unholy alliance was probably the recording of “Mama Will Bark”, where the greatest voice of the 20th century shared the microphone with a buxom actress named Dagmar (sort of a Rhonda Shear of her day) and some other ‘vocalist’ howling and barking like a dog in the background. Not surprisingly, Sinatra’s recordings with Mitch Miller were not a resounding commercial success and in 1952 he was dropped by Columbia.

His luck was soon to improve, however, as a number of his colleagues including former Tommy Dorsey vocalists June Hutton and Jo Stafford got him in the door at Capitol Records. This began a nine year relationship that produced some of the finest work of Sinatra’s career. Initially, Frank worked with June Hutton’s husband, Axel Stordahl. These sessions produced some decent music including “I’m Walking Behind You” but wouldn’t last long. Frank wanted to go in a different direction, which became a necessity when Stordahl left to take a gig with Eddie Fisher in New York. After a lengthy search for a replacement, Sinatra reluctantly agreed to work with an experienced big band conductor named Nelson Riddle. The Capitol Records executives were excited about the matchup, but Sinatra had to be convinced.

To say that the first Sinatra/Riddle session was a success is an understatement, and “I’ve Got The World On The String” is somewhat of a ‘shot heard round the world’ for Sinatra’s career and popular music in general. The Ted Kohler/Harold Arlen song is given new vibrancy with Riddle’s buoyant arrangement and Sinatra’s new found vocal maturity. The song was a modest commercial success at the time, reaching #14 on the single charts, but became a classic. It was also a favorite of Sinatra himself, and he continued to perform the song live, frequently as a show opener, for the rest of his life.

When examined in a modern context, Sinatra’s career ‘reinvention’ is almost mind boggling. It’s difficult to envision a star of today popular with the teenage set–like The Jonas Brothers for example–becoming accepted as a serious vocalist for adults. Sinatra not only became a critical and popular sensation, but would go down in history as arguably the most important entertainer ever in American popular culture. None of this would have happened were it not for the magical pairing of Sinatra with Nelson Riddle.

About the Author:
David Glisan is a freelance writer covering fighting sports including MMA and boxing. He is also the music editor for The Savage Science, a website covering both MMA and music, and is a published expert on both heavy metal and jazz. He contributes to many MMA news websites and provides UFC news for the broadcast and online sports media. He’s also a published expert on boxing, pro wrestling and judo.

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The Chairman Of The Board Meets Brazil’s Bossa Nova Pioneer

July 21st, 2009
by David Glisan

Frank Sinatra is often dismissed as a mere ‘pop’ singer and critically diminished relative to his contemporaries. He’s often accused of being formulaic and repetitive and not afforded the proper respect for his vocal talent. While Sinatra certainly knew what worked for him, and what kind of songs and arrangements he liked, the assertion that he didn’t have the vocal ‘chops’ is patently unfair. Perhaps the finest example of his vocal excellence is his work with Brazilian guitarist Antonio Carlos Jobim.

Jobim is often credited with popularizing Bossa Nova music outside of Brazil. He worked with Sinatra on an album of samba tinged standards entitled Francis Albert Sinatra and Antonio Carlos Jobim. The work was a critical and commercial success, and Sinatra would hold Jobim in very high regard for the rest of his life. Sinatra had the highest respect for Jobim as an artist and liked him as a friend. Sinatra would often introduce his performances of Jobim songs live by remembering his Brazilian colleague in very fond terms or expressing the hope that the two men could work together in the future.

“Wave”, written by Jobim and arranged by Eumir Deodato, is perhaps the finest of their collective work. It features some magnificent technical singing by Sinatra, including what are the lowest notes ever recorded by “The Chairman of the Board”. For the rest of his life Sinatra enjoyed listening to ‘Wave just to hear how good he sounds hitting the bass notes.

This song was to have been a featured track on a second collection of Sinatra/Jobim collaborations, but for some inexplicable reason it was never released as such.One story is that Sinatra himself nixed the release because he didn’t like the cover art. The photographer that insisted on posting Sinatra in front of a Greyhound bus mayhave been responsible for depriving the world of a second collection of Sinatra with a bossa nova twist.

“Wave”, along with the majority of the songs intended for the “Sinatra/Jobim” album finally surfaced on “Sinatra and Company” in 1970. The “b” side is some of Sinatra’s ill-fated attempts to cover popular songs of the day (“Close To You”, It’s Not Easy Being Green”, “Leaving On A Jet Plane”). These are recordings that even the most rabid Sinatra fans consider among his most forgettable work, and a stark contrast to the masterful collaboration with Jobim on the album’s “A” side. “Wave” also appeared on the Reprise box set and of course of the “Complete Reprise Recordings” suitcase collection.

Will Friedwald, in his book on Sinatra’s music “Sinatra: The Song Is You” described the songs from the Sinatra/Jobim sessions as having “flexibility and delicacy, as if they could be blown about by a soft Brazilian breeze”. They remain among the most listenable and romantic work of Sinatra’s epic career, as well as representing perhaps his finest vocal effort.

About the Author:
David Glisan is a freelance writer covering MMA and boxing as well as a published expert on music as diverse as heavy metal and jazz. He contributes to many MMA news websites and provides UFC news for mainstream sports broadcast and print media. He serves as the music and entertainment editor for The Savage Science, a website covering fight sports and heavy metal music.

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