Posts Tagged ‘jazz’

cool acoustic guitar jam(amazing, jazz blues acoustic guitar

October 17th, 2009

inspector green sits upon his willow tree a golden sunset set in his eyes waiting for a man to bake him up a surprise im gonna give it a try!! anticipation starting to creep on his mind from the fingers to the spine lacking conversation and concentration just read between the lines you oughta give it a try there’s a lightning storm brewing down shadow’s dancing in the night and it’s a long way to the ground when you’re coming down, wow yeah Original song written by Joe Peck and Chris …

Crossroads Guitar Duel

October 6th, 2009

A amazing guitar duel at the “crossroads”.

Amazing Grace – Solo Jazz Guitar

September 30th, 2009

Walter Rodrigues, Jr. plays solo jazz guitar on “Amazing Grace”. Listen more to Walter’s music on www.cdbaby.com/wrjazzmusic or iTunes (Beyond Words).

Stanley Jordan – Amazing Guitar Tapping (jazz) on letterman

September 23rd, 2009

www.marinoshop.com.br – Stanley Jordan (July 31, 1959— ) is an American jazz fusion guitarist, best known for his development of the touch technique for playing guitar. He was born in Chicago, Illinois. He received an AB in music from Princeton University in 1981. Normally, a guitarist must use two hands to play each note. One hand presses down a guitar string behind a chosen fret to prepare the note, and the other hand either plucks or strums the string to play that note. Jordan’s touch …

Amazing acoustic Guitar jam, Funk blues rock improvisation

September 18th, 2009

Ryan Taylor and Joe peck improvising funky blues

From Motown To Hip Hop – Produce Music And Make Beats

September 14th, 2009

The early sixties in the City of Detroit were a memorable era for music. It was a period of time whereby the unique sounding records of Motown have been played and listened to throughout the streets, nightclubs, house parties and radio stations anywhere in the country. It was common to have the soulful R and B records playing on the jukeboxes while folks were dancing in the streets or singing in the barber shops and beauty parlors to the love songs that eventually captivated the hearts of millions of people throughout the world. Music cds and rap music were not heard of during that period, it was all about the vinyl records and rhythm and blues soul.

The songs that have been designed by Motown singers during the 60s & 70s had so much meaning and expression. They were songs that spoke about true unchained love, breaking events and the heartache and pains of life experiences. Oh yes, Motown really had it going on! Their music became universal music. Many of the soulful tunes crossed over into other markets such as pop, jazz, blues, etc But just like George Benson said in one of his recordings Everything Must Change, and sure enough, he was right about the music.

After providing so many years service and great music to the City of Detroit, Motown left and Rap/Hip Hop moved in. Instead of listening to someone singing My Baby Loves Me or My Girl, you began to hear new sounding lyrics of street experience expressed in rhythms with the mouth, chest, hands and feet as such had never been heard before.

This new sound called Rap evolved in the early 80s and took off as a sky rocket in the late 90s and New Millennium as Hip Hop/Rap. Even today Rap/Hip Hop music is still a multi billion dollar genre. Millions of cds and videos are sold each year in the Hip Hop genre of music. And there is no sign that Hip Hop will be slowing down or taking a back seat to anyone anytime soon.

So what happened to the Motown sound. did it die out? No! The Motown sound will never die out. It will always play a significant part in the hearts of millions who embraced its sound back in the early 60s, and continued to pass that sound on to their children throughout the 70s, 80s and 90s.

Sometimes you just have to move over and let the new kids on the block have a turn in expressing their musical talents, songs and ideas. That is what Motown did, it moved over-not out. And now the Hip Hop artists are not the new kids on the block anymore, for they have taken their position to express themselves musically, just like the rhythm and blues artists took their position o express themselves in the Motown era.

That is how we have developed from Motown to Hip Hop music! You are now in the position to produce your own Hip Hop tunes and songs yourself with the world’s best music production machine called SonicProducer. You may make thousands of beats and you don’t even need to be a professional musician or have any experience. It has been made super user friendly to make your own beats and you won’t believe the quality of the sounds they packed it with.

SonicProducer is an incredible up to date music sequencer with mp3 export capability. SonicProducer also features music production tutorials with different keyboards, studios as well as tutorials and videos on how to use the Sonic Producer software. All this can be obtained online through the “members area” and encompasses everything including the software, sounds and the system of video lessons and documentation.

Michael Bell has been in the music industry for more than ten years and is very into historic evolution of Rap and Hip Hop as we know it today. Click here to get your own unique version of this article with free reprint rights.

Horacio “el negro” Hernandez, the best drummer ever

September 2nd, 2009

Horacio “el negro” Hernandez, the best drummer ever

Dave Weckl & Chick Corea Drum Solo – Best Drum Solos

August 16th, 2009

EasyDrums.net Drum solo featuring drummers Dave Weckl and Chick Corea. Watch our other featured drum solos from some of the world’s top drummers.

Igor Falecki, 6 years old drummer LIVE

August 4th, 2009

Fragmenty występu Igora Faleckiego – 6 września 2008, Warszawa Excerpts from the gig of Igor Falecki – 6th September 2008, Warsaw Some amazing facts (and his biography): Biography Igor Falecki — Drumming genius, is coming from a family of musicians from Gdańsk. Igor was born on the 8th of February 2002 in Gdańsk. His mother Sylwia has finished Music Academy in Gdańsk and is now a singer with „Cappella Gedanensis”. His father Artur is a bass guitarist, he created „Groovekojad” group who won …

Frank Sinatra And Nelson Riddle: How It Happened

July 21st, 2009

Frank Sinatra is now known as the greatest popular singer in history and canonized as ‘The Chairman of the Board’. That wasn’t always the case, however. It’s easy to forget that there was a period of time when he was just another aging teen idol trying to stay relevant in the music business. He also had personal problems that are famous–particularly his tempestuous romance with actress Ava Gardner–as well as damaged vocal chords. There was a point after his ‘bobbysoxer’ success that he was in bad shape financially and professionally.

To make matters worse, the impresarios at Columbia Records were abusing his talent in an effort to revive his album sales. His pairing with producer Mitch Miller was particularly disastrous. The nadir of this unholy alliance was probably the recording of “Mama Will Bark”, where the greatest voice of the 20th century shared the microphone with a buxom actress named Dagmar (sort of a Rhonda Shear of her day) and some other ‘vocalist’ howling and barking like a dog in the background. Not surprisingly, Sinatra’s recordings with Mitch Miller were not a resounding commercial success and in 1952 he was dropped by Columbia.

His luck was soon to improve, however, as a number of his colleagues including former Tommy Dorsey vocalists June Hutton and Jo Stafford got him in the door at Capitol Records. This began a nine year relationship that produced some of the finest work of Sinatra’s career. Initially, Frank worked with June Hutton’s husband, Axel Stordahl. These sessions produced some decent music including “I’m Walking Behind You” but wouldn’t last long. Frank wanted to go in a different direction, which became a necessity when Stordahl left to take a gig with Eddie Fisher in New York. After a lengthy search for a replacement, Sinatra reluctantly agreed to work with an experienced big band conductor named Nelson Riddle. The Capitol Records executives were excited about the matchup, but Sinatra had to be convinced.

To say that the first Sinatra/Riddle session was a success is an understatement, and “I’ve Got The World On The String” is somewhat of a ‘shot heard round the world’ for Sinatra’s career and popular music in general. The Ted Kohler/Harold Arlen song is given new vibrancy with Riddle’s buoyant arrangement and Sinatra’s new found vocal maturity. The song was a modest commercial success at the time, reaching #14 on the single charts, but became a classic. It was also a favorite of Sinatra himself, and he continued to perform the song live, frequently as a show opener, for the rest of his life.

When examined in a modern context, Sinatra’s career ‘reinvention’ is almost mind boggling. It’s difficult to envision a star of today popular with the teenage set–like The Jonas Brothers for example–becoming accepted as a serious vocalist for adults. Sinatra not only became a critical and popular sensation, but would go down in history as arguably the most important entertainer ever in American popular culture. None of this would have happened were it not for the magical pairing of Sinatra with Nelson Riddle.

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